
“Horses Running Endlessly” (1995), Gabriel Orozco
"Gestures tend to lose some of their energy when they’re repeated. The shoebox is in the MoMA survey, it’s the first thing you see in the galleries. The dirty ball is there too. So are the yogurt lids, nailed to partition walls. But they feel archival.
The shock and delight of puzzlement, of seeing nothing turn into something before your eyes, are gone.
No one’s to blame; this is the way certain art operates in time."
-Holland Cotter, for the NYT, here
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